MAAT

Khepri was associated with motion — not speed, but transformation.

This drive begins with restraint and gradually breaks apart as you push it.

It moves from clarity to saturation without losing its center.

Akhet was a threshold — a place of passage rather than destination.

This pedal lets signals move, split, return, or disappear entirely.

Nothing is added. Only decisions are made.

The Sphinx was known for restraint as much as power.

This germanium fuzz keeps the familiar character but smooths the excess.

The result is presence without harshness.